Perhaps this French film, set in the publishing world of Paris (at a time when digital technology is replacing is disrupting everything), connects better with those in the publishing or film worlds, but I found the characters that Olivier Assayas (of Personal Shopper, Hitchcock/Truffaut, Clouds of Sils Maria fame) has created too smart for their own good, too believing of their own wit and intelligence. In the end, I had had enough of them (except for Juliette Binoche, who brings every character she plays to glorious life) and their arrogance. Subtitles.